Portrait Class 3

In portrait class three we studied full length portraits and lighting. There was also a lot of discussion about hand orientation, leg position, and feet placement. There was a lot to keep in your head at once, while also trying to focus and frame the photo and communicate with the model.

The below full length photo is from early in the session. There is a flash to the model’s left and a fill flash behind the photographer to keep the shadows from getting too deep. I think that the fill flash was set to about 2 stops less than the side flash. Some important points about this pose:

  • The model is facing the flash with her head turned toward the camera so that her body is well lit and her face is not broadly lit (meaning it has some shadows for definition).
  • The model is also holding her hands such that they are viewed from the side.
  • The model has one leg bent as if she is about to take a step so that she has a feminine form and doesn’t appear to be a straight vertical line

Full-Length-Portrait

The concept of keeping the sides of the hands facing the camera is that if the back or front of the hand is broadly facing the camera, it will draw the eye and take away from the main focus of the photo: the face. The theory being that a person’s eyes are drawn to skin in the photo and would naturally go to the broad side of the hands. I think that when viewing a photo of a person, my eyes first naturally go to the eyes.

Next we focused on a profile photo in which the model is facing 90 degrees away from the camera. The flash is moved so that the lighting on the model’s face is still the same side lighting as before. In the below photo, the parts of the model’s face looking to the left are brightly lit, where as the side of the face is more in shadow giving depth and detail to the subject. The model’s hair is also subtly lit from above and behind.

Profile-portrait

The above photo was shot at 122mm and f/5 and there is not much background blur. The background is already very soft, so I don’t think that matters much. In framing, I was trying to keep in mind that the model needed some space to the right because she is looking in that direction, so I framed her off-center.

Next, the model was laying on the floor, which means that I was down on the floor as well to shoot on her level.

Key things to worry about with this pose are watching the hands and feet. We don’t want to show the bottoms of a person’s feet because the detract from the subject of the image. And we have to be careful when the hands are near the face, as they can detract from the subject’s face. Also, the model’s front leg is bent forward with her foot behind her to give her a more feminine shape while in this position.

Floor-portrait

You can see in the photo above that the model’s face is side lit to show depth and her left hand, while near her face, is mostly hidden and not distracting. I think that I liked this pose the best for a female as it was quite flattering. I find the standing portraits to be a bit awkward.

Below is a photo of the room set-up. Just a quick photo that I took from behind my daughter while she was shooting to show the environment.

img_2045

My daughter is wearing my hoodie, which is now her hoodie. It’s amazing how many hoodies I have purchased for myself over the years that I no longer have. I hide one at work that they don’t know about.

The photos in this blog have had minimal post-processing. I generally set a good white balance, lens correction, and camera profile and then copied that to all of the images. I then adjusted exposure as needed.

Along with this class, it would be ideal if I could practice on my own but I have none of this lighting equipment. I probably would if I was going to become a serious portrait photographer. I am still getting a lot out of this class about photographing people.

Thanks for reading.

 

5 thoughts on “Portrait Class 3

  1. Great shots of a beautiful model. I feel a little skeptical about rules such as, avoid the back of the hands or the bottoms of the feet, as I think those rules could inhibit creativity. On the other hand, perhaps most people don’t want their photos to be greatly creative, preferring to go with something more conventional. I’d probably get a lot of complaints, if I were a portrait photographer.

    Liked by 1 person

    1. I think that you make a good point about being creative, but if it is a portrait I am assuming the main subject is the face. I think that hands are a uniquely human feature and naturally attract the attention of the viewer. Or maybe it is a natural instinct for humans to want to see what the other person has in their hands (friend or foe).

      Unless the bottoms of the feet or shoes are really clean, this can be a bit off-putting. The exception is baby photos because I think that their feet are so cute.

      My daughter experimented with several photos with the model holding her hands near her face, on both sides of her face, in different poses. It was very creative and some of the photos looked really good. She definitely is more of a natural portrait photographer than me as I would not have considered all of that. But that is why I took the class with her so that she would get exposed to some new techniques to be creative with. I would be a bottom end of the market portrait photographer for certain.

      Thanks for your comments.

      Liked by 1 person

    1. Thanks. That is the great thing about photography. The amount of money that you can spend is virtually limitless.

      I do have one more week of this that I attended a couple of nights ago. I still need to go through the photos, but it was sort of fun night doing interesting things with lighting.

      Liked by 1 person

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